Silkscreen Voting Party: Calling Bad Hombres & Nasty Women!


Plazm has made some demented calligraphy inspired by Donald Trump’s demented words. Take them back and send him packing.

The screens are burned!  BYOB—Bring Your Own Bag or Shirt and pull a print Sunday night at Beacon Sound from 7-9 pm.

Green Line Press will be on hand so YOU can silkscreen our ‘nasty woman’ or ‘bad hombre’ designs onto your own t-shirt or bag— free.

E*Rock will be DJing.  

Enjoy the tunes.
Fill out your ballots with friends.
All ages.

7-9 pm
Sunday 11/6

Beacon Sound
3636 N Mississippi Ave

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Making Portland Work


Chloe Eudaly in her store, circa 1998 from Plazm magazine feature.

I remember the first time I met Chloe Eudaly in her small store just north of Hawthorne Blvd. on 37th Avenue, a few blocks from my house. I was already a lover of ‘zines and printed matter of all kinds. PLAZM was a few years old by then, we started in 1991, I think the first Reading Frenzy location opened in 1994. It was always inspiring to see what could be found—the myriad of voices, subjects of deep geeky inquiry, and the seemingly infinite number of ways a person could express themselves on paper.

Within a couple of years she expanded her business moving downtown to SW Oak Street. I visited frequently since the Plazm studio was kitty-corner in the second floor of the Myler Building in those days. I could see Reading Frenzy from my window. I have fond memories of Umbra Penumbra, Galleri 8, Michael Russo coming to work every day with his thermos lunchbox (he paid month-to-month rent in that building for like thirty years)… Portland was a different place then in many ways. I have often thought that Plazm magazine would not have survived if we had started in NYC of a larger city where we couldn’t afford the rent.

On the side of Portland city vehicles it says “The City that Works.” In many ways, it does and has for a long time. These days, the spotlight is shining bright here. If you would’ve told me twenty years ago if Portland would be looked to as a cultural beacon in the global landscape, I would’ve asked what you were smoking. Portland is big in Japan. We are written about seemingly every other week in the New York Times. The city where young people go to retire. The spotlight is here. But it will pass. The important thing is, as Kristy Edmunds said to me a year ago—not to be distracted by success. We need to stay true to what makes Portland a city that works. For everyone. That means affordable rent. Housing, of course. But also affordable workspaces for artists and makers and creators of all types.

As a small businesswoman, as a supporter of all types of voices through shelf space and gallery shows in her store, to publishing works, to helping found the Independent Publishing Resource Center in the mid-90s, to being the single mother of a physically disabled child, as an advocate for fair housing policies, Chloe has shown her true colors over and over. She has given so much to this community. She is a shining example of Portland being a city that works. And she is committed to making sure it is a city that works for everyone. I can think of no better person to sit on the Portland City Council. Vote Chloe.

Helpful links:
Official Chloe for Portland website get your lawn signs, buttons, stickers, and more. Or stop in at Reading Frenzy
Plazm magazine interview with Chloe, circa 1998
Rent Crisis – Joe Socco + Chloe Eudaly ‘zines

Rent Crisis 'zine - Joey Socco & Chloe Eudaly

Rent Crisis ‘zine – Joey Socco & Chloe Eudaly

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failure. discounted.

come fail typeFailure is part of the human condition, yet many people are paralyzed by the thought. What do mistakes teach us? What is a beginner’s mind? Plazm’s Joshua Berger and Niko Courtelis lead a “Come Fail With Us” workshop at the Bend Design Conference which features Ashley Shaffer, Brad Cloepfil, John C Jay, and Victor Saad, among others.

Friends of Plazm may use the following code to receive $25.00 off the full conference pass. Purchase by October 1. Code is: PARTNERBDC2016

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About this art

In 2008 I worked on an anti-John McCain poster, in 2012 anti-Mitt Romney art. I like to make political posters. To use my training in design for something important. But this year is different. More urgent. More personal.

As the grandchild of Holocaust survivors, I find Donald Trump to be deeply frightening. He has taken fringe racist and anti-semitic elements and given them a mainstream megaphone. This is very dangerous for our country far beyond this election cycle.

His rise mirrors that of the rise of Hitler and takes directly from that hate-filled playbook. This is not a comparison I make lightly. But I know my history. I can feel this threat in my bones.

I found myself recalling an anti-Nazi photomontage by John Heartfield entitled “Adolf, Superman” that I studied in design school. I have taken the liberty of updating it here to reflect the current peril we face as a nation.

Useful links

Register to vote—all US state deadlines
176 Reasons Donald Trump Shouldn’t Be President—Keith Olbermann in top form
This is How Fascism Comes to America—The Washington Post
Making America Hate Again—In an exceptional 30 minute speech, Hillary Clinton succinctly elucidates the danger we face.
John Heartfield—Wikipedia

Vote this election

I want to add that I worked for and supported Bernie Sanders in the primaries and that I will vote for Hillary Clinton in November. I believe it is important to vote for her. Staying home helps Trump. A vote for Jill Stein helps Trump. Republicans who care about their party might consider voting for Gary Johnson.

Yes, Clinton is an establishment candidate with vast corporate ties. There are things she stands for that I disagree with—and I will continue to actively work and organize against those beginning November 9, 2016. None of these are as evil as the violence and hate Trump is espousing.

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Urban Goats & Comic Sans

IMG_7255Although I have never personally been a user of the much maligned typeface Comic Sans, I recently found there are actually appropriate uses for the font.

Many Portlanders fondly remember the goats grazing over on Southeast Belmont Avenue. They were fun and quirky, yet thoroughly practical in keeping the grasses down—a great example of Portland doing things right.

Well the goats did their job, but now they are out of a job. Well, sort of. They are still all over the area—at least as marketing mascots for the various parties building this monster development.

There’s a lot of development going on these days in Portland. There is also much concern about the changing landscape—in particular the long-term affordability for the people that have lived and worked here for many years.

Back when Plazm started in 1991 the idea that people would want to come here in droves—let alone view Portland as a place of cultural influence and significance—was beyond the realm of possibility.

The developers, lawyers, and contractors have not been shy in using the goats to promote their project. There are goats on practically every sign in the construction site.

It turns out the goats have something to say about it all. And they typeset their comments in Comic Sans. 
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Free Tickets to Experimental Jetset in Portland 

Join us for a dialogue on design with Marieke Stolk, Erwin Brinkers, and Danny van den Dungen of Experimental Jetset. The conversation will be audio-recorded for the Beyond This Point podcast.

FREE tickets available Wednesday, 2/10/16 at Noon PST at

Saturday, February 20, 2016 | 5:30-7:30PMDoors at 5 PM | Event begins promptly at 5:30 PM

52 Limited, 330 SE Martin Luther King Jr. Blvd #1B Portland, OR 97214 BROUGHT TO YOU BY CIVILIZATION & DESIGNSPEAKS

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Announcing the First Annual Typewriter Jam

Typewriter_Jam_sqPart historical exhibit, part typewriter clinic, part art show–the inaugural Portland Typewriter Jam has everything a typewriter aficionado could wish for! Over 50 unique and exotic typewriters on display, and dozens of different typewriters to use. A typewriter clinic for cleaning and maintenance tips, ribbons and supplies–PLUS–you can and pull your own typewriter-themed art print–FREE!

The IPRC is proud to host Uppercase Magazine Publisher and author Janine Vangool selling her new book “The Typewriter: A Graphic History of the Beloved Machine”.

IPRC Event details

Typewriter Jam
Saturday October 10th, 2015
1001 SE Division Street

• “The Museum” An exhibit of 50 rare typewriters,  (only for looking).

• “Dr. Typewriter ” Matt from ACE Typewriter will be doing demonstrations, taking a typewriter apart, repairing it, cleaning it, etc.  He will also do some clinic/ walk-in diagnostics, and have ribbons, supplies (and maybe a few typewriter?) on hand/for sale.

• Try your hands at typing on dozens of different styles of typewriters.

• Think you’re fast? Enter the speed-typing trials and test your WPM.

• An exhibit of historical typewriter ephemera; vintage manuals, typing instruction books and poster, typewriter ribbon tins, advertising, and other miscellany.

• Hands on fancy print pulls of typewriter themed poster.

• Special Typewriter Jam swag

• Beer by Fort George Brewery

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If that’s not enough—Janine Vangool will be giving a public lecture at PSU!

Join the editor of Uppercase Magazine for a journey through the 150+ year history of the the typewriter through the graphic design and advertising that tells its story over the decades.

Janine Vangool: Typewriter, a History
Sunday, Oct 11 at 7pm
Shattuck Hall

Eventbrite tickets


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Art Chantry’s Heretical Design History

Art Chantry has a new book out and he speaks at Powell’s Tuesday at 7:30 pm



Art has shaped much of contemporary design with his hands-on, low-fidelity techniques and his unapologetic, poignant ideas. He is a design icon.

We’ve been fortunate enough to collaborate with Art over the years in the pages of Plazm magazine and in two books we have authored. Below is the first fax he sent me when working on the cover for issue #15 (1997).



There are a few silkscreen posters of that cover still available.  Purchase at BuyOlympia if your interested.


The last time Art was here in Portland for an event was in 2007. Plazm put it together with PNCA. We designed the poster and companion matchbooks below. I remember a conversation over dinner before his presentation and Art talking in detail about design history. Not the kind you might have read about in history books, but a kind that exists in both ubiquity and obscurity. Since then I have followed along as he began posting on Facebook, sharing a similar conversation with the world—a personal view of history, shaped by being present and participating.

Anyone interested in the design history you couldn’t read about in books—until now—should check this out. Powell’s Tuesday at 7:30 pm


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The Sorrento Sessions: “Next wave graphic design & branding”

Screen Shot 2015-08-12 at 11.44.23 PM What is the role of graphic design in shaping culture and community of the Pacific Northwest? And how can designers make an positive social and ecological impact?

I am looking forward to participating in this visually-driven panel in Seattle next week. Not really sure what the title “next wave graphic design & branding” means. I guess I will learn from the other panelists. I like the description that they wrote though. Shaping culture. Doing things that benefit other living beings. I like those things.

The panel was put together by Gray magazine in partnership with Interior Design Show West and IDSA. EVENT DETAILS: At the Sorrento Cocktails in the penthouse-level Top of the Town at 6 pm. Panel discussion starts at 7 pm. Most of these events sell out. Tickets at Eventbrite. Join us! Screen Shot 2015-08-12 at 11.46.05 PM PANELISTS (from top left): Michael Ellsworth, Civilization (Seattle) Jane Cox, Cause + Affect (Vancouver) Joshua Berger, Plazm (Portland) Gage Mitchell, Modern Species (Seattle)

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60 days to stop a war


In 2008 Thomas Bradley & I made this John McCain campaign poster. You might recall McCain gleefully sang “bomb, bomb, bomb, bomb Iran” to the tune of the Beach Boys Barbara Ann. You can find that on YouTube.

It’s a shame to have to bring it out again, but at least we have the art ready to go.


Find an event with your member of Congress this month here.
Contact your Congressperson here.

We have 60 days to stop a war with Iran.

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