Tag Archives: William Gibson

Science Fiction’s Speculative Pharmacopeia

Last week, I published an article on Motherboard rounding up some of my favorite fake drugs from the coffers of science fiction. The list isn’t exhaustive; rather, it tackles a representative spread of uppers, downers, psychedelics, and unclassifiables. The tradition … Continue reading

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Ray Bradbury’s Birthday, William Gibson, and Being Science-Fictional in Los Angeles

Los Angeles is arguably the science fiction capital of America. Blade Runner’s iconic sino-Futuristic downtown notwithstanding, there’s a strong historical lineage for science fiction in the Southland: the fan culture which took root here mid-century, the early conventions, the legacy … Continue reading

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As a rule, I avoid judging the quality of a science fiction novel by the success of its predictions. For one, it’s too easy. And I inherently distrust any method of judging literature as cleanly qualitative as “did this invention … Continue reading

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What Happened to Cyberpunk?

Any regular reader of Space Canon knows my fondness for cyberpunk; Gibson, Rudy Rucker, and Bruce Sterling have all received breathless passes on these pages. Cyberpunk at its peak–before the movement was co-opted by 90s ‘netsploitation flicks and video games–was … Continue reading

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Distrust That Particular Flavor

In the early 1990s, William Gibson wrote Agrippa (A Book of the Dead), a 300-line autobiographical poem saved on a 3.5″ floppy designed to erase itself after a single use. The book version accomplished the task in analogue: its pages were treated with … Continue reading

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Virtual Light

Virtual Light is the first book of William Gibson’s “Bridge” trilogy, in which an nonfunctional, shanty-town Golden Gate bridge is a major feature. Like his previous “Sprawl” trilogy, it leans low and hard into its dystopian city-scape, positing a completely … Continue reading

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Count Zero

An almost certainly incomplete glossary of fictional concepts in William Gibson’s Count Zero that are never explained and that you are supposed to understand by context, which is inscrutable since all these future-terms are neologisms and none could even remotely … Continue reading

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I can’t imagine what it would have been like to read William Gibson’s Neuromancer in 1984. It’s so absurdly dense and riddled with cryptic terms which have since become commonplace, that it must have been virtually hieroglyphic at the time. … Continue reading

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